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Film and Media, Master of Arts
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courses
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baf26c9c47d544a0870d37e5a81451f2
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https://e-catalogue.jhu.edu/arts-sciences/advanced-academic-programs/programs/fi...
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https://e-catalogue.jhu.edu/programs/
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2026-03-10T04:32:09+00:00
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Film and Media, Master of Arts

Source: https://e-catalogue.jhu.edu/arts-sciences/advanced-academic-programs/programs/film-media-master-arts/ Parent: https://e-catalogue.jhu.edu/programs/

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MA in Film and Media

The Master of Arts in Film and Media program provides an in-depth curriculum designed to develop the professional and creative skill sets required to succeed in the film, television, and media industries. Students are exposed to the latest technologies and explore a range of storytelling techniques, while being offered key production, business, and distribution strategies. This is a professional program that emphasizes experiential learning, collaboration, thinking outside the box, and the integrity of hard work. All courses are taught by successful creators, filmmakers, and executives who are passionate about teaching and mentoring the next wave of filmmakers and storytellers.

Courses and workshops feature current case studies that help expose students to the latest tools, equipment, resources, approaches, and relevant issues in specific fields. The Johns Hopkins MA in Film and Media program brings the industry to Baltimore, as our students grow their professional network while creating a two-way bridge between the local burgeoning film scene and industry hubs in Los Angeles, New York, and abroad. Courses are held at the JHU/MICA Film Centre, Baltimore’s film studio and recording center in the Station North Arts and Entertainment District, with additional events - screenings, workshops and experiential opportunities - also taking place in Washington, D.C. at the landmark Hopkins Bloomberg Center.

Students choose at least one concentration from the fields of Business of Film (Producing, Directing, Cinematography, Editing), Writing, Sound Design, and Immersive Storytelling & Emerging Technologies. While each student specializes in at least one of these above tracks, students may take courses across a range of subject areas including: screenwriting, directing, producing, editing, cinematography, color correction, location sound/post-audio design, VR/AR experiences, game design, podcasting, documentary production, intellectual property and entertainment law, budget & scheduling, sales & marketing, and creative collaboration.

Admissions Criteria for All Advanced Academic Programs

PROGRAM-SPECIFIC REQUIREMENTS

In addition to the materials and credentials required for all programs, the Master of Arts in Film and Media requires the following:

(1) a selection from one of your screenplays or short stories (in English) [five to fifteen pages in length, with fifteen as the maximum]; or

(2) a short film you directed, produced, edited and/or served as the cinematographer [** please be sure that if your short film is in a language other than English, that you include English language subtitles and credits that clearly state your role on the film]; or

(3) a photographic, digital, or audio portfolio (** please specify if this is entirely your own work or a compilation of others' work); or

(4) a "creative" project/assignment you did in college or afterwards that you truly feel represents who you are and what you're capable of as a filmmaker / artist / storyteller! This should be a creative writing or work sample that you yourself created.

(5) if you don't have a creative sample of your work that you feel is appropriate, or would like to try something new, we suggest you create something that responds to the following prompt in an innovative, bold fashion:

PromptWrite, create or film a scene (or a couple scenes) with two to five characters (human or otherwise) that includes a white hat (of any type), a bag of fruit (your choice of fruit), and an old airplane with only one parachute. The scene should end with these lines: "Edward's waiting outside. You better go."[For screenplays / short stories: five to fifteen pages in length, with fifteen as the maximum.]

* The use of A.I.: we strongly suggest you provide an original sample that you've created without the use of any artificial intelligence. If you are submitting work that includes A.I. (for example, towards the ISET Concentration), then please state in your submission that you have done so; what specific tools you have used; and, provide specific details of both what is original work and what is not.

Program Requirements

Students in the MA in Film and Media program must complete:

Course List

Code Title Credits
Core Courses - Required: 9
Graduate Filmmaking Studio I
Graduate Filmmaking Studio II
Capstone for Film & Media
One Required Concentration 12
Concentration: Immersive Storytelling and Emerging Technologies (ISET)
Foundations of Immersive Storytelling: Theory & Practice
Immersive Experiences and New Technologies: Storytelling for an Interactive Audience
A Filmmaker’s Guide to Protecting Your Work: Intro to Intellectual Property & Entertainment Law
Creative Producing & Line Producing
The Art of “The Pitch”: Developing Skills and Mastering Professional Practices
Cinematography Workshop
The Future of Cinematic Gaming
Production for Creative Technology
Virtual Production: A New Era of Filmmaking
Directing Workshop
Stories that Matter: Creative Decision-Making through the Lens of Cinema
Artificial Collaboration: AI & the Creative Process
Producing the Narrative Short
Editing Fundamentals: Narrative, Emotion, and Flow in the Short Film
Workshop for the Immersive Storyteller: Skills & Training
Intro to Visual Narratives
Digital Imaging and Postproduction Workflows
The Intersection of Sound & Visual Narrative
Scheduling and Budgeting for Film & TV : Producing with Movie Magic
Concentration: Writing
Screenwriting Workshop
Immersive Experiences and New Technologies: Storytelling for an Interactive Audience
Episodic Writing Workshop 1 – The Pilot
Episodic Writing Workshop II - The Writers' Room
A Filmmaker’s Guide to Protecting Your Work: Intro to Intellectual Property & Entertainment Law
Social Impact Documentary Filmmaking
Creative Producing & Line Producing
The Art of “The Pitch”: Developing Skills and Mastering Professional Practices
Podcasting Fundamentals
Production for Creative Technology
Directing Workshop
Advanced Documentary Production
Advanced Documentary Production II - Post
Script to Screen
Stories that Matter: Creative Decision-Making through the Lens of Cinema
Screenwriting: the Narrative Short
Scheduling and Budgeting for Film & TV : Producing with Movie Magic
Concentration: The Business of Film (Producing, Directing, Cinematography & Editing)
Immersive Experiences and New Technologies: Storytelling for an Interactive Audience
A Filmmaker’s Guide to Protecting Your Work: Intro to Intellectual Property & Entertainment Law
Social Impact Documentary Filmmaking
Creative Producing & Line Producing
Sales, Acquisitions and Marketing
The Art of “The Pitch”: Developing Skills and Mastering Professional Practices
Cinematography Workshop
Podcasting Fundamentals
Directing Workshop
Advanced Documentary Production
Advanced Documentary Production II - Post
Stories that Matter: Creative Decision-Making through the Lens of Cinema
Producing the Narrative Short
Editing Fundamentals: Narrative, Emotion, and Flow in the Short Film
Intro to Visual Narratives
Digital Imaging and Postproduction Workflows
The Intersection of Sound & Visual Narrative
Scheduling and Budgeting for Film & TV : Producing with Movie Magic
Concentration: Sound Design
Immersive Experiences and New Technologies: Storytelling for an Interactive Audience
A Filmmaker’s Guide to Protecting Your Work: Intro to Intellectual Property & Entertainment Law
Mixing Sound for Picture
Recording Sound for Film
Designing Sound for Film and Media
Podcasting Fundamentals
Production for Creative Technology
Directing Workshop
Advanced Documentary Production
Advanced Documentary Production II - Post
Stories that Matter: Creative Decision-Making through the Lens of Cinema
Location Sound: Artistry & Technique
The Intersection of Sound & Visual Narrative
Scheduling and Budgeting for Film & TV : Producing with Movie Magic
Electives (courses offered outside your Concentration) 12
Total Credits 33