Art

Source: https://artmuseum.princeton.edu/art Parent: https://artmuseum.princeton.edu/

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Our Collections

Ideal Atrio (Ideal Atrium) in Rhetorica Christiana , 1579 , by Diego de Valadés (Didacus Valades), 1533–1582; born Tlaxcala, Mexico; active Seville, Spain, Rome and Perugia, ItalyPublished by Pietro Giacomo Petruzzi, active 1567–1609, Perugia, Italy , object number 2024-46

Ideal Atrio (Ideal Atrium) in Rhetorica Christiana , 1579

Diego de Valadés (Didacus Valades), 1533–1582; born Tlaxcala, Mexico; active Seville, Spain, Rome and Perugia, Italy\ Published by Pietro Giacomo Petruzzi, active 1567–1609, Perugia, Italy

2024-46

Torah finials (rimmonim) , 1783–4 , by Hester Bateman, 1709–1794; born and died London, England , object number 2024-45 a-b

Torah finials (rimmonim) , 1783–4

Hester Bateman, 1709–1794; born and died London, England

2024-45 a-b

Kaasa blanket , early 20th century , by Artist unrecorded , object number 2024-7

Kaasa blanket , early 20th century

Artist unrecorded Fulani (Fulbe)

2024-7

Paisagem com bicho antropofágico I (Landscape with Anthropophagic Animal I) , 1928 , by Tarsila do Amaral, 1886–1973; born Capivari, Brazil; died São Paulo, Brazil; active São Paulo, Brazil and Paris, France , object number 2024-49

Paisagem com bicho antropofágico I (Landscape with Anthropophagic Animal I) , 1928

Tarsila do Amaral, 1886–1973; born Capivari, Brazil; died São Paulo, Brazil; active São Paulo, Brazil and Paris, France

2024-49

Swampland Tinted by Industrial Waste, New Orleans , 1960, printed 2000 , by William A. Garnett, 1916–2006; born Chicago, IL; died Napa, CA; active California , object number 2024-222

Swampland Tinted by Industrial Waste, New Orleans , 1960, printed 2000

William A. Garnett, 1916–2006; born Chicago, IL; died Napa, CA; active California

2024-222

Bat , early 19th century , by Okamoto Toyohiko, 1773–1815 , object number 2024-53

Bat , early 19th century

Okamoto Toyohiko, 1773–1815 Japanese , Edo period, 1603–1868

2024-53

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Curatorial Areas

Conservation - Through meticulous research, innovative techniques, and a profound respect for the artworks, we strive to carefully steward every object in our collections.

Stories & Perspectives

Every artwork has a backstory

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### Princeton’s Community on the Opening of the New Museum ### Creativity and Connection ### New Landscape Links the Museum to Its Context ### Inaugural Exhibition Explores the Legacy of Toshiko Takaezu

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