Metadata
Title
Prof. Arnika Fuhrmann
Category
general
UUID
0fe9c901622647759a04d5eefdcf96ce
Source URL
https://complit.hku.hk/index.php/faculty/fuhrmann-photo/
Parent URL
https://complit.hku.hk/index.php/faculty/
Crawl Time
2026-03-23T05:28:38+00:00
Rendered Raw Markdown

Prof. Arnika Fuhrmann

Source: https://complit.hku.hk/index.php/faculty/fuhrmann-photo/ Parent: https://complit.hku.hk/index.php/faculty/

Professor Arnika Fuhrmann

PhD, University of Chicago\ MA, University of Hamburg

Arnika Fuhrmann is an interdisciplinary scholar of Southeast Asia, working at the intersections of the region’s aesthetic, religious, and political modernities. She is the author of In the Mood for Texture: The Revival of Bangkok as a Chinese City (Duke University Press, 2026), Teardrops of Time: Buddhist Aesthetics in the Poetry of Angkarn Kallayanapong (SUNY Press, 2020), and Ghostly Desires: Queer Sexuality and Vernacular Buddhism in Contemporary Thai Cinema (Duke University Press, 2016). In 2024–2025 she held a fellowship to study digital media in Asia at the Käte Hamburger Research Centre “global dis:connect” in Munich. Fuhrmann serves in the curatorial team of the Asian Film Festival Berlin and on the editorial collective of positions: asia critique. For more of her writing, see arnikafuhrmann.com

FIELDS OF INTEREST\ Asian Studies; Comparative Literature; Film Studies; Performing and Media Arts; Feminist, Gender and Sexuality Studies; LGBTQ Studies; Religious Studies; Urban Studies

RECENT PUBLICATIONS\ BOOK\ In the Mood for Texture: The Revival of Bangkok as a Chinese City. Duke University Press, 2026

ARTICLES AND CHAPTERS\ “For Tomorrow For Tonight: Karma, Kinship, and Queerness in Contemporary Thai Cinema and Video Art.” Contemporary Buddhism (2025)

“Cinematic Travels in the Trans-Asian City.” In Course Projections: Film, Pedagogy, and Freedom, eds., Kartik Nair and Karen Redrobe. University of California Press (forthcoming 2026).

“Let’s Love Hong Kong: Hyper-density, Virtual Possibility, and Queer Women in Hong Kong Independent Film.” In The Routledge Companion to Asian Cinema, eds. Zhen Zhang, Sangjoon Lee, Debashree Mukherjee, and Intan Paramaditha, 404–411. New York: Routledge, 2024.