# Prof. Arnika Fuhrmann

**Source**: https://complit.hku.hk/index.php/faculty/fuhrmann-photo/
**Parent**: https://complit.hku.hk/index.php/faculty/

Professor Arnika Fuhrmann

PhD, University of Chicago\
MA, University of Hamburg

Arnika Fuhrmann is an interdisciplinary scholar of Southeast Asia, working at the intersections of the region’s aesthetic, religious, and political modernities. She is the author of *In the Mood for Texture: The Revival of Bangkok as a Chinese City* (Duke University Press, 2026), *Teardrops of Time: Buddhist Aesthetics in the Poetry of Angkarn Kallayanapong* (SUNY Press, 2020), and *Ghostly Desires: Queer Sexuality and Vernacular Buddhism in Contemporary Thai Cinema* (Duke University Press, 2016). In 2024–2025 she held a fellowship to study digital media in Asia at the Käte Hamburger Research Centre “global dis:connect” in Munich. Fuhrmann serves in the curatorial team of the Asian Film Festival Berlin and on the editorial collective of *positions: asia critique*. For more of her writing, see [arnikafuhrmann.com](http://arnikafuhrmann.com/)

**FIELDS OF INTEREST**\
Asian Studies; Comparative Literature; Film Studies; Performing and Media Arts; Feminist, Gender and Sexuality Studies; LGBTQ Studies; Religious Studies; Urban Studies

**RECENT PUBLICATIONS**\
BOOK\
*In the Mood for Texture: The Revival of Bangkok as a Chinese City*. [Duke University Press, 2026](https://www.dukeupress.edu/in-the-mood-for-texture)

ARTICLES AND CHAPTERS\
“*For Tomorrow For Tonight*: Karma, Kinship, and Queerness in Contemporary Thai Cinema and Video Art.” [Contemporary Buddhism (2025)](https://www.tandfonline.com/doi/full/10.1080/14639947.2025.2456884)

“Cinematic Travels in the Trans-Asian City.” In *Course Projections: Film, Pedagogy, and Freedom*, eds., Kartik Nair and Karen Redrobe. University of California Press (forthcoming 2026).

“Let’s Love Hong Kong: Hyper-density, Virtual Possibility, and Queer Women in Hong Kong Independent Film.” In *The Routledge Companion to Asian Cinema*, eds. Zhen Zhang, Sangjoon Lee, Debashree Mukherjee, and Intan Paramaditha, 404–411. New York: Routledge, 2024.